FAQs
Common terms
& Music Selection
FAQs ON COMMON TERMS
COPYRIGHT
PUBLIC DOMAIN
CUE SHEETS
SYNCHRONIZATION LICENCE
PERFORMING FEES
FAQs on STOCK MUSIC
1: What is a stock music consultant?
2: How can I use a stock music consultant?
3: How can I use Chris Stone Audio if I am out-of-town?
FAQs on MUSIC SELECTION
1: Can I use music from a commercial disc in my production?
2: What happens if I use a commercial disc without permission?
3: What if I really want to use a commercial disc?
4: How can I get an original score for my production?
5: Can my composer do arrangements of well known songs?
6: Can I use a public domain piece from a commercial CD?
7: How can I use a public domain piece?
8: What is the easiest way to get music for my production?
FAQs ON COMMON TERMS
COPYRIGHT -
The legal exclusive right which a composer has to his own works during
a certain period of time. A composer often assigns these rights
(copyright) to a music publisher who then handles the licensing of the
music. If the music is recorded, then the recording company becomes an
additional copyright owner. There would then be two copyrights - the
right in the musical work itself and also the right in the recording.back to top
PUBLIC DOMAIN - Music enters
the Public Domain after a certain period (usually 70 years) after the
death of the composer. This can vary from country to country. Canada
has at present a period of 50 years; Spain and Belgium have periods of
80 years. Some countries (France, Japan and others) grant additional
years to allow for the losses in performing fees during the two world
wars, so be careful if you need world rights! You are probably safe if
the composer has been dead 90 years or more - but if lyrics are
involved, then the life/death of the lyricist becomes a factor in some
countries.back to top
CUE SHEETS
- All music used in a production must be listed in complete detail on a
music cue sheet. When correctly filled out and filed with the
appropriate performing rights society, cue sheets ensure that composers
and publishers receive royalties on the performance/usage of their
music. Performing fees are NOT an additional cost to the producer, they
are collected from broadcasters, theatres, clubs and other sources by
the performing rights societies, and distributed by them.
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SYNCHRONIZATION LICENCE
- A licence issued by the composer, publisher, record company and/or
agent allowing the music to be synchronized with a visual or audio
track. If the music you wish to use is from the score of a movie the
producers of the film may also hold a copyright in the music.
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PERFORMING FEES
- Fees paid by performing rights societies to publishers and composers
for the use of their music in broadcast, theatrical or other
applications.
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FAQs on STOCK MUSIC
1: WHAT IS A STOCK MUSIC CONSULTANT?A
stock music consultant works with you to find the right sound to create
the illusion you want in your production. Chris Stone Audio (stock
music consultants) have years of experience working on many different
productions. They have over 90 different music libraries at their
fingertips, comprising over 300,000 tracks and thousands of sound
effects using a state of the art computer selection system - not
available to anyone else.
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2: HOW CAN I USE A STOCK MUSIC CONSULTANT? Make
an appointment, take along a script and possibly a video of the rough
edit, or telephone/e-mail us. Chris Stone Audio will work with you,
narrow down your choices, and help you decide what your production
needs.
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3: HOW CAN I USE CHRIS STONE AUDIO IF I AM OUT-OF-TOWN? Chris
Stone Audio can accommodate out-of-town clients. Scripts can be faxed,
videos delivered, and music can be auditioned over the telephone.
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FAQs on MUSIC SELECTION
1: CAN I USE MUSIC FROM A COMMERCIAL DISC IN MY PRODUCTION?Only
if you get permission from the music publisher AND the record company.
There is no set fee for this and permission is not always granted.
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2: WHAT HAPPENS IF I USE A COMMERCIAL DISC WITHOUT PERMISSION?
It is an infringement of copyright and you can be sued for large amounts - and you will lose!.
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3: WHAT IF I REALLY WANT TO USE A COMMERCIAL DISC?
Contact the music publisher. ALSO contact the record company or your local recording industry association.
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4: HOW CAN I GET AN ORIGINAL SCORE FOR MY PRODUCTION?Find
a composer with a good track record, one who is versatile and able to
write in a variety of styles. If you can give your composer good
direction, and you have the time and budget, your project should be a
success. BUT remember, if you do not like the music in the end - you
still have to pay for it. back to top
5: CAN MY COMPOSER DO ARRANGEMENTS OF WELL KNOWN SONGS?
The composer MUST obtain WRITTEN permission from the original music
publisher and pay associated fees immediately UNLESS the music is a
Public Domain piece.
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6: CAN I USE A PUBLIC DOMAIN PIECE FROM A COMMERCIAL CD?Not
without permission from the recording company. The music might be for
public use but the recording is protected by the copyright act.
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7: HOW CAN I USE A PUBLIC DOMAIN PIECE?
You can purchase the score of the public domain music and have it recorded yourself. Now YOUR
recording is protected by copyright. If you are using the music
worldwide you must find out if the music is Public Domain elsewhere.
For example: there is Public Domain music in Canada which is still
under copyright in the United States.
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8: WHAT IS THE EASIEST WAY TO GET MUSIC FOR MY PRODUCTION?
Selecting music from a Stock Music Library is the easiest way. The music library publishes and records the music so only one clearance has to be made.
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Please contact us for all your stock music needs.
For contact info see: About Us
Or call us toll free: 1-877-920-6700
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